Wednesday, November 28, 2018

Telenovelas: A Real Eye-Opener


Throughout the entirety of this semester, learning about telenovelas and their structures have been one of the best experiences in my college career. Though I didn't exactly know what to expect in the beginning, my previous experience with telenovelas, as a child, had me hopeful and I was not disappointed. From learning about what exactly a telenovela was and differentiating it between a soap opera, to learning about how these dramas are consumed, these topics helped me uncover why my family had always watched them throughout my childhood and now. There were a handful of topics during the semester, and there really wasn't one that I didn't like.

For example, one that I really enjoyed was the section on consumption, something that seemed obvious but never crossed my mind as a study. What really helped me understand the topic of consumption was, of course, the consumption presentation around the end of the semester. In regard to consumption, everyone tends to consume their show through different platforms, be it social media platforms, blogs or forums. In El Senor de los Cielos, though this telenovela illustrates quite a few political problems going on in Latin America, the audience tends to use said platforms for mainly exchanging opinions on the show rather than the political disasters.

Aside from consumption, what also caught my attention was the conversation that the class had with Lisa Wegscheider and the International Market. Since the beginning of the class, I had wondered how telenovelas ended up on TV or platforms, such as Netflix, Hulu, etc. From our conversation with Lisa, the realm of distribution has definitely gotten convoluted due to so much content being produced nowadays, along with how long these dramas are. What really got me thinking was the importance on telenovela length and Latin America's view on Turkish dramas. When it comes to shorter telenovelas, those in Latin American countries may view it in a skeptical way, considering how long the shows have been in the past. Something else that I found interesting, was how Lisa told us about the instant acceptance of Turkish telenovelas in Latin American countries. Be it a good or bad one, there are some countries that will buy it just because it is a Turkish drama. 

Looking back on this semester, and the final day at Dr. A's house, this class has definitely been one of my favorite in Grady. I never thought of how much I would learn, not only about this class, but in regard to my culture. Though I knew telenovelas had a great presence throughout Mexico and the rest of Latin America, I wasn't aware of the Brazilian and Turkish competition. All this time, I had assumed that telenovelas were a Mexico thing only, with some being broadcasted in the rest of Central and South America, but I was very wrong. Learning about the different types of telenovelas, how they're consumed, how they're produced and the conflicts between producing staff has really opened my eyes in recognizing telenovelas as a critical part of culture that affects a multitude of countries throughout the world. 

Overall, what was your favorite part of the semester? 

5 comments:

  1. Hi Luis!

    My favorite part of the semester were definitely learning about representation and identity in telenovelas. As a Spanish minor, I have continuously learned about the racial and ethnic struggles in Latin countries. So, I was not surprised when those struggles and prejudices carried into the characters of many of the first telenovelas. However, it was very uplifting to see how far telenovelas have come with the actors playing characters and the many storylines told. As a woman of color, subjects like that always touch my heart. Such a great class!

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  2. Estoy de acuerdo en que la última clase en la casa del Dr. A fue extremadamente especial y también fue una de mis partes favoritas del semestre. También pensé que era tan genial que pudimos hablar con diferentes personas influyentes de la industria después de aprender la importancia de las telenovelas todo el semestre. Mis charlas favoritas fueron las que tuvimos con Lisa y Leonardo Padron. Lisa me abrió los ojos a una parte completamente nueva de telenovelas de las que no habíamos hablado mucho (la de distribución), y Leonardo Padron fue muy cariño y me encantó escucharlo hablar sobre su enfoque artístico sobre en las telenovelas. Finalmente, me alegró descubrir que me atraen mucho las telenovelas turcas. Después de que vimos un poco de Sen Anlat Karadeniz y Fatmaül, me enganché INMEDIATAMENTE. Creo que voy a comenzar a mirar Sen Anlat Karadeniz durante las vacaciones de invierno, incluso si tengo que usar un sitio web ilegal para mirarla.

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  3. Luis!

    I loved this telenovela class, but one of my favorite thing is that you grew up watching telenovelas. For me, this was a totally new concept, and I think it is so interesting how everyone came in with different backgrounds and we all end up learning the same thing.
    Like Maya, I was not surprised to see the struggles and prejudices carried into the characters of many of the first telenovelas because of all the Spanish classes I have taken and my study abroad. I do love how far telenovelas have come and the ways they have managed to share their stories and the awareness they have created.

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  4. I loved this class whole-heartedly. I didn't grow up watching Telenovelas so I was completely exposed to a new concept. I think my favorite part was learning the differences between a Telenovela and a Soap Opera. While it seems super basic, there are so many key differences that many people are ignorant to. I feel like this knowledge of media has really allowed me to advance in different cultures and to see how these shows truly affect people.

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  5. Luis, thank you for this post! I agree with you... one of my favorite topics was consumption, but I also enjoyed distribution, especially talking to Lisa. She was so honest and forthright about the industry and really allowed us a window into the world in which she lives. It is interesting that it is getting increasingly difficult to make a profit on telenovelas with the way in which we are consuming media today. In that same vein, I think my favorite part of this class was the interviews with prominent people in the world of telenovelas. Of those, I enjoyed talking to Leonardo Padrón the most. He was able to talk to us about his process of writing a telenovela and I enjoyed hearing his insight a great deal!

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